Ceramics
I am interested in shaping different figures from my early childhood. The working material was clay from puddles near my house, and my wet pieces of art were thought into the fire. And all that survived after destroying for not-dried figures fire had been a real treasure. And as a child grants all own troubles, joy or satisfaction to the piece of plastic made in form of doll, I also wanted my piece of clay to be “alive” (my figures got eyes, later on – voice).
In time ideas appeared about art and that its mode where things won’t be “regardless” to a person, about warm-sensitive paints that can change colour from breath or touch, or about sensitive substances that can change form and volume when a person is approaching. These materials are rare and expensive, but they have worthy substitute – clay that provides sound.
It can be said that this is just a different point of view on the things that were born from traditions.
1997
ceramics
1997
ceramics
1997
ceramics
1996
ceramics
ceramics
1996
Water-Nymph is very shy…in the bra
ceramics
2000
All kissed one, and two kisses are upside-down…
ceramics
1996
ceramics
2000
ceramics
2000
2000
ceramics
2000
ceramics
2000
ceramics
1996
ceramics
2000
Ceramics
2000
ceramics
By plane, rail-road, sea, on the wheels and along the circle